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SSM2005RS-REEL

SSM2005RS-REEL DataSheet DECODER 5.1-CHANNEL SOUNDFIELD GENERATOR

DECODER 5.1-CHANNEL SOUNDFIELD GENERATOR

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---Full Text Search Engine--- DECODER 5.1-CHANNEL SOUNDFIELD GENERATOR

SSM2005RS-REEL SSM2005

SSM2005RS-REEL	[Analog Devices] Decoder 5.1-Channel Soundfield Generator
SSM2005RS-REEL	[] DECODER 5.1-CHANNEL SOUNDFIELD GENERATOR

a
FEATURES Generates 5.1-Channel Soundfield from All Stereo Sources No Pre-Encoding Required Excellent Decoding of Pre-Encoded Sources 4- or 5-Speaker Operation Subwoofer Output Full Bandwidth on All Channels Optimized Modes for Video and Music Excellent Surround Image at All Positions Independent Left and Right Surround Steering No Surround Channel Delay Required Built-In White Noise Generator APPLICATIONS Home Theater Receivers VCD/DVD Players Auto Sound Receivers and Amplifiers Surround Sound Decoders Karaoke Computer Audio Boards Video Games GENERAL DESCRIPTION
Decoder 5.1-Channel Soundfield Generator SSM2005
PIN CONFIGURATIONS 48-Lead SSOP (RS Suffix)
R FILTER IN R FILTER OUT L FILTER IN L FILTER OUT L OUT L OUT A L IN R OUT R OUT A R IN VEE ACOM AUDIO GND GND VCC (L+R) OUT (L-R) OUT (L-R) HIGH IN (L-R) LOW IN
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 48 47 46 45 44 43 42 41 40 39 38
(R)
CENTER OUT LF OUT RF OUT LS OUT RS OUT NOISE IN NOISE OUT LOAD RESET DATA IN VCC ACOM AUDIO GND GND VEE WRITE CLOCK IN FRONT/REAR TC FILTER LOW BAND TC FILTER HIGH BAND TC FILTER FRONT/REAR DET. FRONT/REAR (L-R) DET. FRONT/REAR (L+R) DET. AUTOBALANCE LOCKOUT AUTOBALANCE TC
SSM2005
37
TOP VIEW 36 (Not to Scale)
35 34 33 32 31 30 29 28 27 26 25
The SSM2005 Circle Surround(R) decoder produces true 5.1-channel surround soundfield from any stereo source, including VCD, DVD, VCR, CD and FM stereo broadcasts. The SSM2005 is also compatible with encoded sources, such as Dolby ProLogic(R) and Circle Surround encoded movies and music. External delays and noise reduction processors are not required for the surround channels. Circle Surround encoded stereo signals will produce a full 360 soundfield when played through the SSM2005. Recording engineers can encode sounds to any of the five speakers surrounding the listener. Left Front, Right Front, Center, and differentiated Left and Right surround channels are generated, providing a realistic ambiance effect with either 4- or 5-speaker configurations. The SSM2005 is available from Analog Devices, subject to the License and Royalty requirements as described on the following page of the data sheet.
R HIGH BAND DET. L HIGH BAND DET. HIGH BAND DET. OUT R LOW BAND DET. L LOW BAND DET. LOW BAND DET. OUT
INPUTS
LEFT RIGHT ANALOG SIGNAL PROCESSING
OUTPUTS
LEFT RIGHT STEERING MATRIX AND OUTPUT AMPLIFIERS CENTER LEFT SURROUND RIGHT SURROUND L+R FOR SUBWOOFER RESET SERIAL BUS
STEERING CONTROL GENERATOR
MODE CONTROL LOGIC AND NOISE GENERATOR
Figure 1. Simplified Block Diagram
and are registered trademarks of SRS Labs, Inc. and ValenceTechnology Ltd. Circle Surround is a registered trademark of SRS Labs, Inc. and Valence Technology Ltd. Dolby ProLogic is a registered trademark of Dolby Laboratories Licensing Corporation, San Francisco, California. Circle Surround technology is protected under one or more of the following U.S. Patents and corresponding patents worldwide: 5,319,713; 5,333,201; 5,638,452; 5,771,295.
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Information furnished by Analog Devices is believed to be accurate and reliable. However, no responsibility is assumed by Analog Devices for its use, nor for any infringements of patents or other rights of third parties which may result from its use. No license is granted by implication or otherwise under any patent or patent rights of Analog Devices. One Technology Way, P.O. Box 9106, Norwood, MA 02062-9106, U.S.A. Tel: 781/329-4700 World Wide Web Site: http://www.analog.com Fax: 781/326-8703 (c) Analog Devices, Inc., 1999
SSM2005-SPECIFICATIONS
ELECTRICAL CHARACTERISTICS
Parameter INPUT CHARACTERISTICS Level1 Input Impedance OUTPUT CHARACTERISTICS Level Left Front Right Front Center Left Rear, Right Rear Channel Separation Left Front and Right Front / Center Left Rear and Right Rear / Center Left Rear, Left Front Left Rear, Right Rear Output Impedance DYNAMIC PERFORMANCE Total Harmonic Distortion + Noise Signal-to-Noise Ratio Dynamic Range, Output Headroom NOISE GENERATOR Output Level2 Matching AUTOBALANCE Capture Range Capture Time CONTROL LOGIC Logic Thresholds High (1) Low (0) Input Current Timing Characteristics POWER SUPPLIES Operating Voltage Range3 Current
NOTES 1 0 dBd = 300 mV rms. 2 With filter shown in Figure 8. 3 Specifications apply for V S =  6 V. Specifications subject to change without notice.
(VS = 6.0 V, TA = 25 C, f = 2 kHz, Modes: Video, 5-2-5, Center On, Sound Spread Off, Autobalance Off, Noise Off)
Conditions ZSOURCE < 10  L and R Inputs Min Typ 0 10 Max Units dBd k
Symbol VL, VR ZIN
LT = 0 dBd, RT = Off RT = 0 dBd, LT = Off LT = RT = 0 dBd, In Phase, Video Mode LT = RT = 0 dBd, Out of Phase LT = RT, In Phase, Video Mode LT = RT, Out of Phase LT = RT, Out of Phase LT = RT, Out of Phase ZOUT THD+N SNR DR HR All Channels Noise Floor to 1% THD All Channels Noise Mode On, A-Weighted All Channels | VH | - |VL| VL = VR > -10 dBd, |VLEFT - VRIGHT | < 3 dB Logic Levels Referenced to ACOM 2.4
0 0 +6 +3 30 40 30 30 10 0.04 88 100 12 -10 0.5 4 5
dBd dBd dBd dBd dBd dBd dBd dBd  % dB dB dB dBd dB dB s
1.5
0.8 1 See Timing Diagrams VS +VS , -VS IS Single Supply Dual Supply VL = VR = ACOM, VS = 12 V +10 5 18 +12 6 30
V V A
V V mA
LICENSING INFORMATION
The CIRCLE SURROUND(R) TECHNOLOGY rights incorporated in the SSM2005 are owned by SRS Labs, Inc. and by Valence Technology Ltd., and licensed to Analog Devices, Inc. Users of any SSM2005 Circle Surround decoder must first sign a free use license to purchase OEM quantities for consumer electronics applications which may be granted upon submission of a preproduction sample to, and the satisfactory passing of performance verification tests performed by SRS Labs, Inc. or Valence Technology Ltd. SRS Labs, Inc. and Valence Technology Ltd. reserve the right to decline a use license for any submission that does not pass performance specifications or is not in the consumer electronics classification. All equipment manufactured using any SSM2005 Circle Surround decoder must carry the Circle Surround logo on the front panel in a manner approved in writing by SRS Labs, Inc. or Valence Technology Ltd. If the Circle Surround logo is printed in users manuals, service manuals or advertisements, it must appear in a form approved in writing by SRS Labs, Inc. or Valence Technology Ltd. The rear panel of Circle Surround products, users manuals, service manuals, and all advertisements must all carry the Circle Surround legend as specified in the Circle Surround trademark manual published by SRS Labs, Inc. and Valence Technology Ltd.
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Supply Voltage, VS . . . . . . . . . . . . . . . . . . . . . . 8 V or +16 V Logic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VS Storage Temperature Range . . . . . . . . . . . . -65C to +150C Operating Temperature Range . . . . . . . . . . . -20C to +70C Junction Temperature Range . . . . . . . . . . . . . . . . . . . .+150C Lead Temperature Range (Soldering, 60 sec) . . . . . . . +300C
*Stresses above those listed under Absolute Maximum Ratings may cause permanent damage to the device. This is a stress rating only; functional operation of the device at these or any other conditions above those listed in the operational sections of this specification is not implied. Exposure to absolute maximum rating conditions for extended periods may affect device reliability.
ABSOLUTE MAXIMUM RATINGS*
Package Type 48-Lead SSOP (RS)
1 JA
JC
Units C/W
100
50
NOTE 1  JA is specified for worst case conditions.
ORDERING GUIDE
Model SSM2005RS-Reel
Temperature Range -20C to +70C
Package Description 48-Lead SSOP
Package Option RS-48
CAUTION ESD (electrostatic discharge) sensitive device. Electrostatic charges as high as 4000 V readily accumulate on the human body and test equipment and can discharge without detection. Although the SSM2005 features proprietary ESD protection circuitry, permanent damage may occur on devices subjected to high energy electrostatic discharges. Therefore, proper ESD precautions are recommended to avoid performance degradation or loss of functionality.
WARNING!
ESD SENSITIVE DEVICE
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SSM2005 -Typical Performance Characteristics
10 VSY = 6V VIN = 300mV rms RL = 100k 10 VSY = 6V VIN = 1kHz RL = 100k 0dBr = 300mV rms 1 THD + N - %
1 THD + N - %
LF, RF OUT
0.1 CENTER OUT LF, RF OUT
0.1
CENTER OUT
0.01 20
100
1k FREQUENCY - Hz
10k
20k
0.01 35 25 15 5 AMPLITUDE - dBr A 5 15
Figure 2. THD + N vs. Frequency; Front Channels
Figure 4. THD + N vs. Amplitude; Front Channels
10 VSY = 6V VIN = 300mV rms RL = 100k
10 VSY = 6V LT = RT = 1kHz; OUT OF PHASE RL = 100k 0dBr = 300mV rms 1 THD + N - %
1 THD + N - %
LS, RS OUT 0.1
0.1
LS OUT
RS OUT 0.01 0.01 20 100 1k FREQUENCY - Hz 10k 20k 35 25 15 5 FREQUENCY - dBr A 5 15
Figure 3. THD + N vs. Frequency; Surround Channels
Figure 5. THD + N vs. Frequency; Surround Channels
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PIN CONFIGURATIONS 48-Lead SSOP (RS Suffix)
CENTER OUT LF OUT RF OUT LS OUT RS OUT NOISE IN NOISE OUT LOAD RESET DATA IN VCC ACOM AUDIO GND GND VEE WRITE CLOCK IN FRONT/REAR TC FILTER LOW BAND TC FILTER HIGH BAND TC FILTER FRONT/REAR DET. FRONT/REAR (L-R) DET. FRONT/REAR (L+R) DET. AUTOBALANCE LOCKOUT AUTOBALANCE TC
R FILTER IN R FILTER OUT L FILTER IN L FILTER OUT L OUT L OUT A L IN R OUT R OUT A R IN VEE ACOM AUDIO GND GND VCC (L+R) OUT (L-R) OUT (L-R) HIGH IN (L-R) LOW IN R HIGH BAND DET. L HIGH BAND DET. HIGH BAND DET. OUT R LOW BAND DET. L LOW BAND DET. LOW BAND DET. OUT
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
48 47 46 45 44 43 42 41 40 39 38
SSM2005
37
TOP VIEW 36 (Not to Scale)
35 34 33 32 31 30 29 28 27 26 25
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PIN FUNCTION DESCRIPTION
Pin # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48
Name R Filter In R Filter Out L Filter In L Filter Out L Out L Out A L In R Out R Out A R In VEE ACOM Audio GND GND VCC (L+R) Out (L-R) Out (L-R) High In (L-R) Low In R High Band Det. L High Band Det. High Band Det. Out R Low Band Det. L Low Band Det. Low Band Det. Out Autobalance TC Autobalance Lockout Front/Rear (L+R) Det. Front/Rear (L-R) Det. Front/Rear Det. High Band TC Filter Low Band TC Filter Front/Rear TC Filter Clock In WRITE VEE GND ACOM Audio GND VCC Data In Reset LOAD Noise Out Noise In RS Out LS Out RF Out LF Out Center Out
Connected to / Function: 3-Pole Active Low-Pass Filter Output; used for Center Cancelling Correction 3-Pole Active Low-Pass Filter Input 3-Pole Active Low-Pass Filter Output; used for Center Cancelling Correction 3-Pole Active Low-Pass Filter Input Connect to Pin 6 Connect to Pin 5 Left Stereo Source Line Input; Should be 0 dBd (300 mV rms) Connect to Pin 9 Connect to Pin 8 Right Stereo Source Line Input; Should be 0 dBd (300 mV rms) Negative Supply Audio Ground Power Ground Positive Supply RC to Front/Rear Detector Input RC to Front/Rear Detector Input and Input of Crossover Output of High-Pass Crossover Output of Low-Pass Crossover RC Network Fed by Right Stereo Source Line Input RC Network Fed by Left Stereo Source Line Input Capacitor to ACOM; Controls Rear High Frequency Output Steering Right Input, used for Autobalance and Low Band Steering Left Input, used for Autobalance and Low Band Steering Capacitor to ACOM; Controls Left-to-Right Output Steering RC Network to ACOM RC Network to ACOM RC Network Fed by (L+R) Out (Pin 15) RC Network Fed by (L-R) Out (Pin 16) Capacitor to ACOM; Controls Front-to-Back Output Steering RC Network to ACOM RC Network to ACOM RC Network to ACOM Clock from Serial Bus Chip Select from Serial Bus Negative Supply Power Ground Audio Ground Positive supply Data from Serial Bus Reset from Serial Bus Load from Serial Bus Connect to RC Filter; White Noise Output Connect to RC Filter Output; Filtered White Noise Connect to Right Surround (Rear) Amplifier Input Connect to Left Surround (Rear) Amplifier Input Connect to Right Front Amplifier Input Connect to Left Front Amplifier Input Connect to Center Amplifier Input
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Table I. Abbreviations and Notations Used in the Text
L R LT RT
Left Right Surround Encoded Left Input Surround Encoded Right Input
LF RF LS RS
Left Front Output Right Front Output Left Surround Output Right Surround Output
Output Amplifier
C dBd ACOM VCA
Center Output 0 dBd = 300 mV rms Quality Audio Ground Voltage Controlled Amplifier
SIMPLIFIED THEORY OF OPERATION General
The SSM2005 Circle Surround decoder processes stereo input signals, and outputs 5 channels of surround sound, plus an L+R output for a subwoofer low-pass filter. The SSM2005 provides signal processing, steering control, input autobalance, and a digital interface for mode control. This device uses analog circuits such as amplifiers, rms detectors, VCAs and digital logic to carry out the circle surround algorithm in real time. No artificial reverberation or delay effects are used, preserving the natural sound of the original stereo recording. The SSM2005 can decode any existing media including CD, VCD, DVD, cassette tapes, VHS, FM radio and television stereo broadcasts. For convenience in balancing the system, an on-chip digital noise generator is available. The net result is outstanding 5.1 channel surround sound from all stereo sources, which reveals the hidden ambiance already contained in existing music and cinematic recordings. The listening experience is greatly enhanced and made more enjoyable when compared to ordinary stereo. In the following description, please refer to Figure 6.
Input Signal Processing
The Output Amplifiers receive signals from the VCAs and the internal Noise Generator. Each amplifier has a multiplexer switch which will enable it to output a white noise waveform under control of the Serial Bus. This simplifies balancing of the listening system. The output amplifiers provide load drive capability with typically 12 dBd of headroom. The overall gain from L and R inputs to Circle Surround Outputs is unity; the Noise Generator gives an output level of -10 dBd (100 mV rms).
Mode Control Logic
The various SSM2005 modes are shown in Figure 7. There are modes for different types of source material, such as video sound tracks or music. Other modes include 5.2.5/4.2.4, Sound Spread, Phantom Center mode, autobalance, and Noise Generation. Each mode's status is stored in the Mode Control Logic, as determined by the data sent via the serial bus. Refer to the Typical Outputs In Various Modes section for a more detailed explanation of the various modes. Applying a logic low to the Reset input will override the Mode Control Logic and put the SSM2005 into its Default mode. Default modes for the device are video/5.2.5/center active/sound spread on/autobalance on/noise off. See Figure 9 for logic timing diagrams.
Autobalance Feature
Stereo inputs L and R are fed to both the Steering Control Generator, and the Autobalance circuitry. The balanced signals are passed through the Center Channel Cancel circuitry to the Channel Steering VCAs. The autobalance output signals also feed the Precision Sum and Difference Amplifiers. The sum (L+R) and difference (L-R) signals form the basis for the center and surround channels, respectively. The center channel signal is fed to the center channel cancel circuitry, and to the channel steering VCAs. The surround channel signal is separated by an external Crossover Network into the Surround High and Surround Low bands and fed to the channel steering VCAs.
Steering Control Generator
The autobalance circuitry is activated when the SSM2005 is placed into autobalance On Mode. In this mode, the device will adjust the gains of its input amplifiers to balance the stereo inputs to equal loudness. With a mono input signal, the autobalance circuitry will typically balance L and R to within  0.5 dB. A 22 F external capacitor connected to Pin 25 sets a 5 second averaging period for comparing the levels between the stereo inputs. Using autobalance will slightly degrade the maximum channel separation from the SSM2005. The autobalance mode can be left off without fear of degrading the soundfield, unless the stereo input signal is expected to be off balance by more than  1.5 dB. Most CD, VCD and DVD player outputs are specified to within  0.25 dB balance.
Noise Generator
The purpose of the steering control generator is to analyze the dynamic characteristics of music, dialog, or special effects, using proprietary high speed analog computing circuits. Control voltages for all VCAs are then computed, and the soundfield expansion performed in accordance with the circle surround decoding algorithm. The control signals depend upon the SSM2005 modes selected, and will differ for video mode vs. music mode, 5.2.5 mode vs. 4.2.4 mode, etc.
Channel Steering VCAs
Command signals from the steering control generator are fed to the channel steering VCAs, which control the amplitude of the five output channels. High performance, low distortion VCAs with typically 12 dBd headroom are used for all channels.
When the noise mode is selected, the audio inputs are muted. Noise will be available from the output of the channel determined by the mode control logic. The noise generator uses a feedback shift register that generates a pseudo-random digital output waveform with a repeat time of three seconds. This digital noise waveform is band-pass filtered externally to approximate white noise.
Power Supplies
The SSM2005 may be operated from regulated  5 V to 6 V supplies that can supply 45 mA each. The recommended operating voltage is  6 V, which will give a typical headroom of 12 dBd.
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Power-Up
The SSM2005 will be in an undefined mode on power-up. Reset should be applied to the SSM2005, or the mode control logic should be loaded to put the device into a definite mode state.
Serial Data Control Inputs
The SSM2005 provides a simple 3- or 4-wire serial interface to control the mode settings for the device. Data is input on the DATA IN pin, while CLOCK IN is the serial clock. Data can be shifted into the SSM2005 at clock rates up to 1 MHz.
The shift register clock at CLOCK IN is enabled when the WRITE input is low. The WRITE pin can therefore be used as a chip select input. However, the shift register contents are not transferred into the register banks until the rising edge of LOAD. For a traditional 3-wire serial interface, WRITE and LOAD should be tied together. Figure 7 shows the timing diagram and minimum timing requirements for the digital interface. To enable a data transfer, the WRITE and LOAD inputs are driven low. The 8-bit serial data, formatted MSB first, should be fed to DATA IN and clocked into the shift register on the rising edge of CLOCK IN. The new mode setting will then activate on the rising edge of WRITE and LOAD.
CIRCLE SURROUND OUTPUTS L R
STEREO INPUTS LEFT L R AUTO BALANCE AND MUTE CENTER CHANNEL CANCEL RIGHT
AMPLIFIERS CENTER PRECISION SUM AND DIFFERENCE AMPLIFIERS L+R = CENTER L-R = SURROUND SURROUND HIGH BAND CROSSOVER NETWORK SURROUND LOW BAND STEERING CONTROL GENERATOR 7X CHANNEL STEERING VCAs OUTPUT AMPLIFIERS C
LS RS
MODE CONTROL LOGIC NOISE GENERATOR RESET CLOCK DATA SELECT LOAD TO SUBWOOFER FILTER SERIAL BUS +V GND V ACOM INPUT POWER
Figure 6. Block Diagram
Table II. Modes List
Modes Video Music 5-2-5 4-2-4 Center On Phantom Center Sound Spread On Sound Spread Off Autobalance On Autobalance Off Noise Off Noise On
Effect Center Channel Cancellation Active Center Cancel Cancellation Off; Center Reduced by -4 dB. 5-Channel Circle Surround Enabled 4-Channel Matrix Enabled Center Channel Output On Center Channel Output Off; Divided and Added to LF and RF Hard Panned Input Steered to Front and Rear Side Hard Panned Input Steered to Front Side Only Balances L and R to  1 dB Autobalance Disabled Noise Generator Disabled Noise Generator On; Inputs Muted
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Table III. Data Decoding Truth Table
Reset 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
MSB D0 0 1 1 0 1 0 1 1 1 1 1 1 1 1 1 1 X
D1 0 0 1 1 0 0 1 1 1 1 1 1 1 1 1 1 X
D2 1 1 0 0 0 0 1 1 1 1 1 1 1 1 1 1 X
D3 X X X X X X 1 0 X X X X X X X X X
D4 X X X X X X X X 1 0 X X X X X X X
D5 X X X X X X X X X X 1 0 X X X X X
D6 X X X X X X X X X X X X 1 0 X X X
LSB D7 X X X X X X X X X X X X X X 1 0 X
Mode C Noise On LF Noise On RF Noise On LS Noise On RS Noise On All Mute Autobalance On Autobalance Off Center Active Phantom Center Sound Spread On Sound Spread Off 5.2.5 Mode 4.2.4 Mode Video Mode Music Mode Noise Off, Autobalance On, Center Active, Sound Spread On, 5.2.5 Mode, Video Mode
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Table IV. Timing Description
Timing Symbol tCL tCH tDS tDH tCW tWC tLW tWL tL tW3
Description Input Clock Pulsewidth Input Clock Pulsewidth Data Setup Time Data Hold Time Positive CLK Edge to End of Write Write to Clock Setup Time End of Load Pulse to Next Write (4-Wire Mode) End of Write to Start of Load (4-Wire Mode) Load Pulsewidth (4-Wire Mode) Load Pulsewidth (3-Wire Mode)
Min 50 50 25 35 25 35 20 20 250 250
Typ
Max
Units ns ns ns ns ns ns ns ns ns ns
NOTES: 1. An idle HI (CLK-HI) or idle LO (CLK-LO) clock may be used. Data is latched on the positive edge. 2. For SPI TM or MICROWIRETM 3-wire bus operation, tie LD to WRITE and use WRITE pulse to drive both pins. (This generates an automatic internal LD signal.) 3. If an idle HI clock is used, t CW and tWL are measured from the final negative transition to the idle state. 4. The first data byte selects an address (MSB HI), and subsequent MSB LO states set gain levels. Refer to the Address/Data Decoding Truth Table. 5. Data must be sent MSB first.
1 CLK 0 1 DATA 0 1 WRITE & LOAD 0 D7 D6 D5 D4 D3 D2 D1 D0
tCL
1 CLK 0
tCH
tDS
1 DATA 0
tDH
tCW tWC
tW3
1 WRITE & LOAD 0
Figure 7. Logic Timing Diagram
SPI is a trademark of Motorola, Inc. MICROWIRE is a trademark of National Semiconductor Corporation.
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TYPICAL OUTPUTS IN VARIOUS MODES Table VI. Video/5.2.5/Sound Spread ON/Center ON
The SSM2005 Circle Surround decoder uses ambiance and directional information already present in a stereo signal, and does not require the audio signal to be encoded. The device requires no delay generators or noise reduction. Fully differentiated rear channels provide rear stereo separation for enhanced spatial perception, a feature unique to Circle Surround. Video mode provides the highest degree of channel separation between the front and center speakers. Video mode cancels common center channel material from the left and right front channels. This restores a wide stereo image to matrix encoded sound tracks, while maintaining a solid center channel for dialogue and mono information. The Music mode is optimized for unencoded stereo music reproduction, with full bandwidth on all channels. The steering for the LF and RF channels is deactivated to prevent any stereo image wandering. The independent two-band rear channel steering provides excellent surround imaging, even in car audio applications. Well balanced sound is obtained everywhere within a 4- or 5-speaker setup. The 5.2.5 mode provides the maximum channel separation to the surround channels, and should be used with any encoded stereo input signal. The 4.2.4 mode can be used to reduce the dynamic steering of the surround channels, allowing the SSM2005 to simulate a 4-channel surround sound decoder. Sound Spread OFF allows the maximum channel separation between the surround and front speakers. With Sound Spread OFF, a hard panned left input signal will produce an output only in the left front output. In Sound Spread ON mode, a hard panned left input signal will produce equal output from the left front and left surround outputs. The following tables demonstrate the differences between the modes of the SSM2005 under various input conditions. The LT and RT inputs are at 2 kHz, and are shown in terms of their differences in magnitude (in dB) and phase (in degrees). For example, a 0 180 input means LT is exactly equal in magnitude, but opposite in phase to RT.
Table V. Video/5.2.5/Sound Spread OFF/Center ON
Input |LT| - |RT| dB  0 0 0 180 LT Only RT Only -6 0 -6 180
Output (dB) |LF| - 30 -35 0 -60 0 -30 |RF| -30 -35 -60 0 -15 -36 |C| +6 -45 -30 -30 -4 -26 |LS| -40 +6 0 -30 0 0 |RS| -40 +6 -30 0 -25 -15
Table VII. Music/5.2.5/Sound Spread ON/Center ON
Input |LT| - |RT| dB  0 0 0 180 LT Only RT Only -6 0 -6 180
Output (dB) |LF| 0 0 0 -60 0 0 |RF| 0 0 -60 0 -6 -6 |C| +2 -45 -30 -30 -4 -26 |LS| -40 +6 0 -30 0 0 |RS| -40 +6 -30 0 -25 -15
Table VIII. Video/5.2.5/Sound Spread ON/Phantom Center
Input |LT| - |RT| dB  0 0 0 180 LT Only RT Only -6 0 -6 180
Output (dB) |LF| +3 -35 0 -60 0 -30 |RF| +3 -35 -60 0 -15 -36 |C| Off Off Off Off Off Off |LS| -40 +6 0 -30 0 0 |RS| -40 +6 -30 0 -25 -15
Table IX. Video/4.2.4/Sound Spread OFF/Center ON
Input |LT| - |RT| dB  0 0 0 180 LT Only RT Only -6 0 -6 180
Output (dB) |LF| - 30 -35 0 -60 0 -30 |RF| -30 -35 -60 0 -15 -36 |C| +6 -45 -30 -30 -4 -26 |LS| -40 +6 -30 -35 -25 0 |RS| -40 +6 -35 -30 -30 -15
Input |LT| - |RT| dB  0 0 0 180 LT Only RT Only -6 0 -6 180
Output (dB) |LF| - 30 -35 0 -60 0 -30 |RF| -30 -35 -60 0 -15 -36 |C| +6 -45 -30 -30 -4 -26 |LS| -40 +6 -32 -32 -26 0 |RS| -40 +6 -32 -32 -26 -2
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0.01 F 5.9k 48.7k 0.1 F 105k 4.7nF
SSM2275-A
10 F + 1 2 48 47 46 45 44 0.47 F 6 43 3.82k 7 100 0.1 F 8 9 41 40 39 38 LOAD RESET DATA 6V 42 1F 33.2k COUT LFOUT RFOUT LSOUT RSOUT
0.01 F 5.9k 48.7k 0.1 F 105k 4.7nF
10 F + 3 4
SSM2275-B
100
0.1 F 5
LEFT IN
10 F +
RIGHT IN
10 F +
10 11 0.1 F 12 13
6V
SSM2005
37 36 35 34 33 32 31 30 1F 274k 0.1 F 1k 0.22 F 29 1F 28 27 26 25 6V WRITE CLK IN 274k 0.1 F 100k 1F 1F 0.22 F
6V 0.1 F 14 15 40.2k 0.1 F 1nF 787 1nF 10 F + 16 17 10 F + 18 19 787 7.87k 0.1 F 909 909 453 453 0.1 F 453 453 0.1 F 1k 1F 1F 1F 24 1F + 22 F 4.7M 1F 10k 787k 100pF 20 0.1 F 21 22 0.1 F 23
162k 0.01 F
SSM2275-A
SSM2275-B
0.1 F
DENOTES CONTROL GROUND DENOTES SIGNAL GROUND DENOTES CONNECTION
L R OUT TO SUBWOOFER FILTER (OPTIONAL)
Figure 8. Typical Application Schematic
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APPLICATION NOTES
Figure 8 shows a typical SSM2005 application schematic. The stereo source signal is connected to the SSM2005 audio signal inputs at Pins 7 and 10, as well as the Left/Right level detectors at Pins 19, 20, 22, and 23. The input signal goes through the autobalance circuitry and can be accessed at Pins 6 and 9. A sum (L+R) and difference (L-R) signal is available at Pins 15 and 16, respectively. These signals are fed into the Front/Rear level detector at Pins 27 and 28. The L+R signal is also fed internally to the center channel VCA to produce the center channel output at Pin 48. In addition, the L-R signal is fed into two external filters, creating a low-band and high-band signal with a crossover frequency of 2 kHz. The crossover filters are both 3rd order Bessel filters, providing a minimum group delay to the surround channels. The L-R high-band signal is connected to Pin 17, and the L-R low-band signal is connected to Pin 18. These two pins provide the multiband steering to the two surround outputs. Low-pass filters are inserted between Pins 1 and 2, and Pins 3 and 4. These filters are used for the center-canceling circuitry, which removes center channel information from the left front and right front outputs. This circuitry is only active in Video mode, providing maximum channel separation between the center and front outputs. In an application that will only use Music mode, these active filters can be removed and replaced with a 1 F capacitor between Pins 1 and 2, and Pins 3 and 4. The capacitors and resistors connected to Pins 21, 24, 25, 26, 29, 30, 31 and 32 are used to create the time constants for the steering circuitry. The values shown in Figure 8 are strongly recommended. Variation from these values will result in improper operation of the Circle Surround decoder, and may result in the assembled unit failing SRS Labs approval. The noise generator output is at Pin 42, and the input to the noise steering circuit is at Pin 43. The R-C network connected between Pins 42 and 43 is used to remove dc voltage and high frequencies, which could damage speakers. Other noise-shaping circuitry could be used here to create noise patterns other than white, or to further attenuate the noise output with a resistor divider.
Adding a Subwoofer Output
10 F LEFT IN 10 F RIGHT IN
7
SSM2005*
48 47 10 46 45 44 39
OUTPUTS
CENTER LF RF LS RS SUBWOOFER 1F
2.05k
4.23k 0.47 F
SSM2275
*ADDITIONAL PINS OMITTED FOR CLARITY fC = 100Hz
Figure 9. Adding a Subwoofer Output
Implementing a Stereo Bypass Mode
Figure 10 shows a schematic for implementing a clickless stereo bypass around the SSM2005. The stereo bypass mode allows the user to defeat the Circle Surround decoding and listen to two-channel stereo from the left front and right front speakers. The SSM2402 is a clickless dual audio single-pole single-throw (SPST) switch. When the control voltage, VBYP, is low (below +0.8 V) the switch is open, and the five channel outputs are connected to the outputs of the SSM2005. When VBYP goes high (above +2.0 V) the SSM2402 switch closes, connecting the LF and RF outputs to Left In and Right In respectively. At the same time, a data byte should be loaded into the SSM2005, placing the Circle Surround decoder into Mute Mode. The data byte required for Mute Mode can be found in Table III, and the logic timing diagrams can be found in Figure 7.
SSM2402
1 14 13 12 11 10 9 8
+6V
VBYP VBYP HIGH = STEREO MODE VBYP LOW = CIRCLE SURROUND MODE 6V
2 3 4 5 6 7
The SSM2005 provides an output of the summed Left In and Right In signals. This L+R signal is used to drive the center channel output, and it can also be used to provide a subwoofer channel by connecting the output from Pin 15 to a low-pass filter. The schematic for such a configuration is shown in Figure 9. Here, Pin 15 is connected to a 2nd order Bessel low-pass filter. The circuit uses the SSM2275, a low noise audio op amp that can run from the same 6 V that power the SSM2005. Using the component values shown in Figure 9, the filter's cutoff frequency is 100 Hz.
10 F LEFT IN 10 F RIGHT IN
SSM2005*
7 48 47 10 46 45 44 39
OUTPUTS
CENTER LF RF LS RS
DATA IN VBYP LOW = CS MODE 0 0 0 x x x xx
*ADDITIONAL PINS OMITTED FOR CLARITY x DENOTES A DON'T CARE BIT
Figure 10. Implementing a Clickless Stereo Bypass Mode
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Using the SSM2005 for Karaoke
+6V 2.2k 0.1 F 1k 10k +6V
In Video mode, the SSM2005 removes centered vocal information from the LF and RF speakers. This allows the device to be used in Karaoke applications, where the user can sing along with any music recording. Figure 11 shows a circuit diagram for such an application. The OP179 is the microphone preamplifier with a gain of +20 dB. A 2.2 k resistor connects the microphone to the +6 V supply rail, providing proper biasing for an electret microphone. The SSM2402 is used as a clickless switch, connecting the center output to either the center out from the SSM2005 or the microphone. In Circle Surround mode, the control voltages to the SSM2402 connect the output from the SSM2005 to the center output. In Karaoke Mode, this connection is opened, and the microphone is directed to the center output. At the same time, the SSM2005 should be loaded with data byte (MSB first): 1 1 1 0 1 0 1 1. This activates the center canceling circuitry in the SSM2005, removing centered vocal information from the left front and right front speakers. The overall result is the microphone output comes out of the center speaker, with the vocals-removed music coming from the remaining speakers.
MIC 6V
OP179
CIRCLE +5V SURROUND MODE KARAOKE MODE SW-2
SSM2402
1 2 3 4 5 6 7 14 13 12 11 10 9 8
+6V 7404
SSM2005*
10 F LEFT IN 10 F RIGHT IN
10 7 48 47 46 45 44 39
6V
OUTPUTS
CENTER LF RF LS RS
FOR KARAOKE, LOAD DATA BYTE: 1 1 1 0 1 0 1 1
*ADDITIONAL PINS OMITTED FOR CLARITY
Figure 11. Using the SSM2005 for Karaoke
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OUTLINE DIMENSIONS
Dimensions shown in inches and (mm).
48-Lead SSOP (RS Suffix)
0.630 (16.00) 0.620 (15.75)
48
25
0.299 (7.59) 0.292 (7.42) 0.410 (10.41) 0.400 (10.16)
1 24
PIN 1 0.110 (2.79) 0.095 (2.41) 0.092 (2.34) 0.088 (2.24) 0.016 (0.41) 0.008 (0.20) 0.025 (0.635) BSC 0.0135 (0.343) SEATING 0.008 (0.203) PLANE 8 0 0.040 (1.02) 0.024 (0.61)
0.010 (0.254) 0.005 (0.127)
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PRINTED IN U.S.A.
C3628-8-7/99